![]() She was also obsessed with predicting the future: She would read the grounds of the coffee cup - so when you drink Greek coffee, like Turkish coffee, you're left with the grounds in the bottom. And in Greece, my grandmother was obsessed with the evil eye and people putting the evil eye on you and different ways you would have to ward off the evil eye. My dad's Greek, and I would go to Greece a lot when I was a kid a lot of Greek culture, I feel, is very much a part of my heritage. Every person in the band is part of the rhythm.Īnd another song I loved was "Evil Eye." This one just explodes. And I think we always see ourselves as a dance band as much as a rock 'n' roll band, and I think that's probably at the core of it. That's the way I've always approached it. People often ask me and Nick, "So who plays lead and who plays rhythm guitar?" And the answer is neither of us we play rhythmic melody. And those melodies were rhythmic melodies. ![]() What they would do is take a song and remove the chords, and everything was reduced to melody and counter-melody. I love things like The J.B.'s and Funkadelic and, I guess, later like Talking Heads, as well. This song also has some really great funk guitar throwback sound to it. And I'd overheard this other expression, "Right thoughts, right words, right actions." I thought, "Oh, that's a great response!" It's not an answer it's a response, which you can maybe come up with your own answers for. And we thought, "All right, we need a chorus which is going to answer this - like a response to that kind of verse. So we tried changing the key between minor and major in this kind of random, unpredictable way. You thought, "Who are these people? Who is being forgiven? If that was me, would I really want to go home?" Because it seems really welcoming at first - but then you kind of think, well, " Practically all"? " Nearly forgiven"? It's actually quite qualified.Īnd so I went around to Nick, our other guitarist's flat, and we were trying to work out how to express those mixed emotions. And in the message field it said those words you said: "Come home, practically all is nearly forgiven." And I loved it. And there was a collection of postcards, and these postcards were all blank apart from this one solitary postcard with this message on it. Quite often in flea markets, you find these estate sales where someone's belongings are sold off after they die. It came about when, one day, I was in Brick Lane market, which is a flea market in London, and I went to this stall. But "Right Action" is actually one of the more straightforward ones: You say, "Come home, practically all is nearly forgiven / Right thoughts, right words, right action." Can you tell me just a little bit about the genesis of this one, since it is the title track? Your lyrics are always so inventive, and that's true throughout this album. You can get a bit dogged down in the studio approach: sitting around, too much jamming. I know that probably sounds like a really obvious way of recording, but it's often forgotten by bands, particularly when they're further into their career. So we would start off with a really strong idea, then say, "OK, how do we express that with the music? And OK, now we've worked that out, how are we going to perform it?" And then take that performance and put it into the studio. ![]() We decided that we almost wanted to write a songbook - like a collection of songs that were distinct and that would have come from distinct ideas. Hear the radio version at the audio link and read more of their conversation below.ĭid you have a specific mission statement going into the writing and recording of this album? ![]() Lead singer and guitarist Alex Kapranos recently spoke with NPR's Jacki Lyden about writing in cafés, the cryptic note that inspired the new album's title, and why he's leery of going into the studio underprepared. Nine years after "Take Me Out," the Glasgow group is set to release its fourth album, Right Thoughts, Right Words, Right Action. First Listen Hear 'Right Thoughts, Right Words, Right Action' In Its Entiretyįranz Ferdinand's 2004 debut accomplished two things: a concise introduction to the band in the form of a worldwide hit single, as well as a firm declaration that the angular guitars of post-punk and the stomping rhythms of disco could be natural bedfellows.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |